Barenreiter Urtext Editions

The Barenreiter urtext edition of Handel's masterwork is impeccably clean and authentic to Handel's original manuscripts. Available in English and German editions, it is a popular choice with European

The Baerenreiter edition of Mozart's masterwork; this has become a staple in the repertoire.

Between 1996 and 2000, Barenreiter published scholarly critical editions of Beethoven's nine symphonies edited by the first-class musicologist Jonathan Del Mar. The editorial process was a huge undertaking

This publication of a new completion of the Mozart Requiem offers a source-critical edition of Mozart's fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it

For SATB double choir, a cappella. This edition, based on the autograph score, has been newly engraved in a larger format, with a preface in German and English as well as critical commentary.

Beethoven’s sacred works include two settings of the Mass. The Mass in C Major, completed and premiered in 1807, has been unjustly described as a preliminary step towards the completion of his great

Edited by Stephan Blaut. For SAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 32 p.

Edited by Stephan Blaut. For SSAATBB choir & orchestra. Urtext Edition. Preface in Ger. and Eng. A coronation anthem. Vocal score, 19 p.

Mendelssohn's setting of Non nobis Domine marked the arrival of his maturity as a composer of sacred music and was the first in the series of five great psalm-cantatas that, along with the

Psalm 137 was an inspiration for many composers including Saint-Saëns, who set the text four times. This setting, the original composed in 1854, features solo soprano, mixed choir, saxophone quartet,

Completed in the last summer of Schubert's life, this Missa Solemnis was first performed posthumously in 1829 under the baton of the composer's brother Ferdinand. Though the occasion for composition cannot

Psalm 137 was an inspiration for many composers including Saint-Saëns, who set the text four times. This setting features alto solo, mixed chorus, piano, and English text. The first version, composed